Exit
Though the Gift-shop
The
architecture of many museums, art galleries, and other places of
artistic or cultural significance is often configured in such away
that at the end of a tour or visit, before leaving and returning to
the world beyond the gallery's door, one passes though the gift-shop. This
commercialisation of culture is of very necessary from the
perspective of the individual institution, as it is though such
commercial enterprises that they meet much of their running costs, if
not in fact funding their war-chest for the acquisition of new
artefacts for their collections and for the nation. In
the case of some major British museums one of the senior management
team will be in charge of and responsible for the smooth running of
the museum-shop. These
shops have both expanded, great and altered since my time visiting
them on school-outings. Both the range and quality of their
merchandise has changed, almost in fact beyond recognition. The
British Museum for example has serval shops from one in which you can
buy the normal range of post cards, pen, pencils, and other assorted
odds and ends aimed at children and priced accordingly though to a
shop which specialises in replicas of some of the sculptures housed
in the hallowed halls of the museum which a well-to-do visitor may
well have seen and loved so much that they wont one for their very
own. As an aside as a boy from Stoke-on-Trent I am gratified that
their most expensive item is replica of the Portland verse made to
order by Wedgwood.
And
as the adage goes, 'if you have to ask the price, then you cannot
afford it'.
But
whether small or large, priced in pennies or in hundreds (or even
thousands) of pounds the basic principle underlying the transaction
is the same.
Nor
is the museum-shop as exit unique to England, indeed I think it must
be rather universal.
During
my year in Israel I had the opportunity of visiting a fairly largely
number of museums there, from the Israel Museum and Bialik's house
though to minor art galleries and archaeological sites tucked away in
small places in the peripheries of the county. In Israel too one
exited though the gift shop, only there the gifts on offer were
different. Some where common to all Israeli museums. Olive-wood in
various shapes and forms, small bottles of oil scent with
frankincense. Other girts however, were more connected with the
place. I still have my hamsa from Binyamina and as a result remember the museum
about the history of the town.
Again
the basic idea underlying these museum-door transactions is a
straightforward one. The museum gains valuable funds, but museum goer
has perhaps gained even more than the museum has.
The
art gallery or museum goer, has encountered the other. They might
even have come to a deeper understanding of themselves. Yet, they
must return to world outside the walls of the museum, the perches of
something, anything, from the museum shop is an attempt to take
something of the museum experience away with us, and indeed to pass
it on to someone else.
From
the time of the Enlightenment onwards, certainly from the time of
French Revaluation onwards, trips to galleries and museums has
largely replaced the classical idea of the religious pilgrimage. Far
more people have been to museums than have gone on pilgrimage.
The
medieval pilgrimage too, would have concluded with the opportunity
for the pilgrim to buy keepsakes of their their pilgrimage. In the
Jewish tradition, from the Biblical period onwards, had three main
pilgrimages. Passover, Shavout, and Succot.
Succot
brings the period of the High Holy Days to a close, and in biblical times many, many
people would have already been in Jerusalem on Yom Kippur, the
holiest day of the year.
It
is now almost two thousand years since the destruction of the Second
Temple and the end of pilgrimage as a major theme in Judaism.
To
be sure some elements of pilgrimage continued, and continue in
Judaism. To the grave sites of famous rabbis and to various Biblical
locations, not to mention the interesting phenomenon of the 'secular
Jewish pilgrimage'.
Nevertheless
and all that said, pilgrimages slipped from the Jewish mainstream.
The
rabbis who invented, or re-invented Judaism had to copy with the lost
of the martial and physical.
In
the place sacrifices, liturgy. In place of passover in the Temple the
remarkable achievement that is seder shell pasche.
Each
festival was given something unique, and new something which
reflected its past but something which had be transformed.
Rosh
Hashanah, has the sound of the shofar, Yom Kippur has, among other
things Kol Nidrei.
There
is a much used metaphor for the Days of awe, that of a journey. And
it is much used because it is both powerful and accurate. Taken
together Rosh Hashanah, Yom Kippur and the days between take us, if
we let them, on a journey.
Unlike
our ancient counterparts we have untaken a virtual we have not walked
to Jerusalem to Temple to make our offerings see the rituals
performed and then return changed. We have rather, prayed, study and
mediated together and individually.
The
word Teshuvah normally translated as repentance, in Hebrew contains
the word for return, however transforming the Days of Awe are,
however much they are a journey, in the end we need to return to
world outside of the synagogue.
Just
as those who came before, had to return from Jerusalem to their
homes. From sacred places and holy times, to the secular and the
mundane. I am sure that in ancient times there were people ready and
willing to sell the pilgrims moments to help them hold onto something
of their experiences.
There
are no market stools at the end of our journey from which we could
buy mementos, nor when the journey ends as it will shortly we will
not leave though any gift-shops. We can however, take something of
the season and from our journey with us.
If
we can carry some fragments from our journey during the days of awe
into our day-to-day lives. Then when the last note of last shofar
call has faded away, and we have returned then our journey together
will most assuredly not have been wasted.
גמר חתימה
טובה
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